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From the very
start the movie reminds me of “The Wonders”, a film by the same director, as
both feature a vivid description of the simplicity of rural life and the
country dwellers’ crudeness in appearance and behavior; there are, for example,
kids running freely about unattended while their parents are busy working for a
living. Long shots are used quite often to show the vastness of the open fields
in which the people appear as merely tiny dots. There are also close shots of
the grains during harvesting time, all typical of the farms in different
seasons with intensive work in progress. This is probably one of the director’s
favourite styles, preparing the audience for a poetic village prose.
“Happy As Lazzaro”,
however, is more than a simple country folk story. The plot is well organized
to cast light on the wide gap between the rich and the poor. There is great
emphasis on the poverty of the farmers as evident from such details as a shared
light bulb, the meager shares of food on a celebrative occasion and the shabbiness
of the lodgings. This well serves the purpose of exposing the problem of severe
labour exploitation in the form of illegal share-cropping.The farmers are unknowingly
victimized to the extent of being constantly unpaid for their work and are
submissive to Marchesa Alfonsina de Luna, the queen of cigarettes, who
interferes with even very small details of their lives such as a couple’s
marriage plan.
The same problem
exists when the movie undergoes a change in time and in the background. The
victims are now the poor urban dwellers who are egged on to compete for jobs by
minimizing their wage demand. On the other hand, there is repeated mentioning
of high prices of goods, suggesting the possibility of the rich taking
advantage of the underprivileged.
“Happy As Lazzaro”,
however, is not a tragedy. Quite on the contrary, the country folks are often
seen to be very cheerful, laughing over a trifling matter and brushing off ill
luck with just a sneer. And it is amidst these simple country folks that
Lazzaro, the chief character, draws gradual attention. Though the Masques remarks
on his “being exploited by the exploited”, always being ordered about and doing
endless jobs, usually hectic and even risky ones, he never utters a word of
complaint. In fact, as the movie name suggests, he is always wearing the same
smiling face, impressing the audience with his innocent and angelic nature,
loyal to his friends and always ready to offer help.
To audience with
Christian beliefs, the name Lazzaro is somehow reminiscent of Lazarus, the poor
man at the
gate of the rich man in Jesus Christ's
parable related in the Gospel of Luke. It is perhaps the director’s actual
intention to refer to this Bible story to point out the fact that the rich who
treat the poor with injustice will suffer evil consequences. On the other hand,
the name may also refer to the Lazarus whom Jesus raised from the dead on the
fourth day after his funeral. Such a reference is also reasonable, considering
Lazzaro’s “resurrection” years after he had fallen to his death off a cliff. Even
with the religious aspect aside, the message is quite clear that the gap
between the rich and poor is a stubborn problem regardless of time and place.
With a theme so
solemn, the film on the whole mirrors the realities of life and is very rationally
convincing. The audience are taken quite aback, however, when it takes a
dramatic turn, shifting forward in time, thus ending up being an imaginative
story. There are, therefore, incidents and cases not easily understandable such
as the edible plants in the vicinity and the chapel music audible from a great
distance. And Lazzaro still sees his friends in their former appearance though
they have grown a lot in actual age. Has Lazzaro been reborn with a kind of
supernatural power? And what is the wolf doing in the city? Though wolves are
said to have long haunted the village, posing a threat to the fowl, their
appearance in town is a mystery, especially that of the one seemingly related
to Lazzaro’s death and rebirth.
There are indeed
questions left unanswered. And what actually happens can be a topic initiating
much discussion. This is perhaps what makes the movie more inviting. One can
always view the movie the second, or even the third time, just to find out more
about the mystery surrounding the fate of Lazzaro and his friends.
All in all, this
is a story that will touch every heart and has a special appeal for audience
who enjoy films that go in strange and unexpected directions.
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